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Home » Poetry » Miller
Christopher Miller, continued.

Face of an Old Army Watch

Simple straight black numbers
bold as soldiers.

The date the day.
Base metal bevel.

Canvas band.
Stainless steel back.

One through twenty-four.
Swiss made. Water resistant 330 ft.

Faithful and accurate
as a mountain.



Copyright © Christopher Miller 2004

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New Tattoo

All black
crosses and bars
lines and superstructure.
Through a veil of palest pain
ink orchids grow from
the stem of the needle gun,
black blossoms spreading under and
through the dermis.

Film of blood. Sweat drops.
The vibration through the bones.
A tension like being tied with cables.

A Chicago skyscraper
boiled clean of all its glass and paper,
laid on its side and stretched out then
melted etched fastened bolted
around my arm.

Before I leave
they wrap me in butcher paper so
this next best heart won't
bleed through the sleeve.



Copyright © Christopher Miller 2004

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Three Nights in Boston

Your wife on Yawkey Way: her red red hair. Her unlikely eyes.
Over the arms of the hard green seats your kids grip my fingers.
In the night sky the Citgo sign like a question mark.

At night in your bed with Katy I listen to the retrievers whine
for you at your model table, on the deckboards. When they scratch
under the gun cabinet we clasp hands beneath the sheets.

Tomorrow I flip pancakes and fork up sausage in your sunny kitchen,
take your family to the Cape. They build sand castles. I drink
three cold beers from an iron bucket filled with shaved ice and listen.

Your father calls the house in the evening and I answer like a thief.
He is holding up, he says. He says, "I think of how he slept.
I think of how Matty always slept, for me. I feel such. Such ... "

Sunday night at the hospital I see you sucking on a tube.
Ten days of beard, skin like an orange peel, one eye, and
half a face from the shotgun wound.



Copyright © Christopher Miller 2004

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House by the Sea

Winter sun shining silver
touch my black boots, my blue jeans,
all my piercings, my leather gloves,
and this poem.
Light these lines of whitecaps.
Light these lines of empty sand.
Burn my eyes bright and show me in
the snowflakes falling into the waves
water becoming other water
again.

Evergreens. Garbage cans tied with
yellow cords under a greasy tarpaulin.
Splintered deckboards, rusty house numbers.
An empty mailbox shaped like a whale.
We came here, some Summers ago,
like immigrants.
Time like a sea.
Time like the gulls
flying in white circles.
Time like the soapy windows
of an abandoned telephone booth.

Friends! We had so many friends!
Cascades of friends. Bushels of friends.
The wine and the talk,
the good food and the roaring laughter,
the long poems and the sad songs,
the bad beach books and the sex in unusual rooms.
The sex creeping through the cedar boards.
The sex seeping through the ceilings and the floors.

An empty gin bottle and upturned
bottle caps in the sink. Rolling papers.
Dry lime slices on the countertops.
Pretzel knots. Chip bags. Matchbooks.
Pizza boxes and beer cans. Cigarettes
piling out of ashtrays like cornucopias.
Baseball on the radio.

My papers on the tabletops. Books open to particular pages.
Maps of battles. Cash in small bills. Glasses of icewater,
sand between my toes and my legs brown and ropy.
Dawn swims. Slipping on the jetties, gashing my knees.
You licked the sun from my bare shoulders like cream.

At night in our bed the sheets in the breeze
puffed above our brown bodies like sails.

You the goddess of rentals,
your hands against the porch rail at dusk, at dawn.
Salt in your long hair,
smoking clove cigarettes on the sand,
frightened of the jellyfish.
You the goddess of skin like hot bread.
No clothes for you.
Not for weeks.

At night by porchlight the women
would sprint to the dark water,
bare breasts, bare bottoms bouncy and pale.
Splashes in the warm water.
The slurp of the waves.

In the dark I lost my watch.

She was like a boardgame: flat, cornered, competitive.
Face like a fox. Her red hair. Her fluffy tail.
Spaghetti and swimming and cheap merlot.
A tub of ice cream and paper tumblers of whiskey
with orange slices on the waxed rims.

Her thin and pink lips against
the crisp paper tab cut with toenail scissors.

Her thin pink lips against your thick red lips, against
your bare brown shoulders.

Her thin pink lips against my dry red lips, against
my bare brown shoulders.

You the goddess of kisses like Christmas.
You the goddess of thighs and long hair.
You the goddess come to rape mortals
as a swan by the seashore.

Holding six hands
under the sheets puffed like sails
we hung on to one another and waited
for our resurrection.
We were delivered
thirsty as cats and inches thinner,
into a shining Sunday morning
silver with a dawn rain.

Three days later we left.
Packets of unmailed letters.
A can of tomato sauce in a paper bag.
Dishes in the dish drainer, under the window,
next to the sink.

Back over the bridge on the highway
we stopped for hamburgers.
The rain settled in, low clouds like a shroud
over the island, over our house by the sea.
We were uncomfortable in so many clothes,
so lonely for each other already.
The coolness of the day
wormed its way into our food.
On the highway you cried.

Within a year
you were gone.
Our friends, our music,
our poems, our wine,
our girl with red red hair,
our weeks by the water

all gone.

Gone for years now,
gone for a lifetime
by your short count.

The pizza joints and the arcades,
the surf shops and the bakeries
are all closed for the season, and
a police car slows to watch me walking
along a sandy street, under evergreens,
past a boat upside-down under
a greasy tarpaulin
tied with yellow cords.

Winter sun warm me
this cold morning,
as the dark clouds come to shore.
Burn my eyes bright and show me in
the snowflakes falling into the waves
water becoming other water
again.



Copyright © Christopher Miller 2004

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Orange Weather

It's September and hot on the concrete steps and
my left knee is cracking.
The thigh bone (femur) slides like an old machine-thrown rod and
pushes-scratches forward over the dry, grooved ball of the joint.
While the two lower bones (tibia and fibula) grind and click
against the dead cold stuff that used to be cartilage and thick
like gear's teeth broken floating in oil.
And then the thin white disc (patella) pops out like a weapon
and cuts with its bloody edges at the last gristle and veins
left on the inside of the skin.

The weather is green and cream-colored and
reminds me of old cars in European endurance races
when the drivers would get tired and crash into
the stacked piles of black tiles laid along the sides of the track
for protection.
I think that you would be a dangerous kisser but
I am worn down like old bones and crazy with loathing and it is hot and
my left knee is cracking.

It's October and cool in your room and I can see your underwear
on the long-wise hardwood floor.
Pallas (Athena) was sprung full-grown from her father's head
to be the goddess of wisdom and combat.
While Ares (Mars) was despised by the Greeks as brutal and arrogant
although, ironically, the Romans were kinder and
considered him virile and brave.
But then I would be mixing metaphors (boxer shorts)
as well as pantheons (your behind).

The weather is orange and sweet like maple.
Outside my window-square of sun the leaves fall
meaning that things are dry and calm and
confirming that you are a dangerous kisser.
It seems like an awfully long time since I have been happy and
I can remember now how it felt playing with my favorite toys
as a little boy on the carpet
after seeing you naked and laughing next to your panties
on the long-wise hardwood floor.

It's December and warm inside my fast little black car and
you are playing with the radio state-by-state.
New York (Eroica Symphony with goat cheese)
curves by through woods that
make me feel homesick somehow like
large trees seen from the perspective of old age
and our speed has locked by Massachusetts
(The Bosstones and Jewish Immigrants).
By Maine, everything has been narrowed to just two or three stations and
the stock market is rising while we
have made excellent time.

The weather is red and dark like brick buildings at night.
I can remember the route clearly but am more interested
in the next trip than the
ride back home.
I am thinking for the first time that I will only have 30,
40 if lucky, years with you and
you are playing with the radio state-by-state.



Copyright © Christopher Miller 2004

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More Poetry Arrow

Next page: More Christopher Miller:

Coffee at the Counter the Rain Falling Outside
Wake Up to Running Water
A Maple Tree with Red Leaves
Green Rock

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